Video Journalist, News & Enterprise

The mission of The New York Times is to seek the truth and help people understand the world. That means independent journalism is at the heart of all we do as a company. It’s why we have a world-renowned newsroom that sends journalists to report on the ground from nearly 160 countries. It’s why we focus deeply on how our readers will experience our journalism, from print to audio to a world-class digital and app destination.

And it’s why our business strategy centers on making journalism so good that it’s worth paying for.

The New York Times is continuing to expand its video journalism, identifying compelling visual stories across the depth and breadth of our report. We showcase the expertise of Times journalists on-camera, share urgent news updates, produce on-the-ground reporting, pioneering Visual Investigations, and video podcasts.

We are looking for a Video Journalist to focus on general assignment, breaking and continuing news coverage in a range of visual formats, from short-form videos to multimedia articles to groundbreaking interactives — all geared towards a growing mobile audience.

You are an experienced reporter and producer who thrives in a fast-paced news environment and has a track record of deploying in the field as a video producer. You can efficiently juggle multiple projects at a time. You are a self-starter and quick-thinker who is able and eager to jump on the stories of the day (or week) with fresh ideas for original visual news coverage.

You should be eager to collaborate with other journalists and feature them on camera.

You should be able to report and pitch stories, secure access and deliver impactful and immediate reporting that drives the story forward. Expertise editing in Premiere Pro, particularly on short-form news crash edits. You must be willing to travel, oftentimes on short notice.

This is a hybrid position based in New York City and includes regular attendance in the office each week per your departmental guidance.

• Respond to breaking news with fresh visual ideas in a range of formats.
• Pitch coverage opportunities, and participate in team planning discussions as needed.
• Report in the field in a variety of settings – from natural disasters to protests and potentially war zones.
• Carry out all aspects of video production, including research, reporting, writing, shooting, producing, editing and publishing.
• Write succinct and effective video scripts and copy for video assets (headlines, summaries, captions etc.).
• Plan shoots for assigned stories, directing cinematographers and coordinating media management, as needed.
• Use news wire services and social media to review and clear footage for publication.
• Work with our Operations staff to ensure fast and efficient transfer of footage and workflow, from production to post‑production.
• Produce big projects in a range of formats, including linear videos and interactives, often in collaboration with other desks at The Times.
• Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world.
• This role reports to a Senior Producer, Video.

• 4+ years of video journalism experience, preferably in a digital or broadcast newsroom.
• Experience with all aspects of video production, including strong pitching, writing and reporting skills.
• Strong editorial news judgment and the ability to make decisions quickly under tight deadlines.
• Knowledge of current events with significant experience covering breaking news, both in the U.S. and internationally.
• Proven history of access to strong sources and experience getting unique visual access in the field.
• Comfortable juggling multiple projects and assignments simultaneously, with excellent time management skills and the proven ability to prioritize and multitask during a busy news cycle.

• General knowledge of legal, ethical, copyright and usage issues for third‑party and acquired footage.
• Ability to shoot, as a cinematographer, as well as use specialized camera equipment such as drones, jibs and steadicams, plus experience with live…